Showing posts with label R.D. Blackmore. Show all posts
Showing posts with label R.D. Blackmore. Show all posts

Sunday, September 29, 2013

Hope Bourne, Walter Raymond, and Withypool - a nine and a half mile walk

There is more to the literary history of Withypool than a claim that R.D. Blackmore wrote much of “Lorna Doone” while staying at the “Royal Oak”. Our village also boasts the writers Walter Raymond and Hope Bourne as former inhabitants, and you can throw in the painter Sir Alfred Munnings if you like, whose three-volume autobiography has much to say about the little village nestling in the valley of the Barle.
In her latter years, Hope Bourne, the writer and painter, often could be seen tucked into a sunny hedge or bank, like some basking cat, close to her beloved moorland. She had been persuaded eventually to move to a small cottage on the end of a social housing terrace in Withypool after spending years living in a tiny caravan in the grounds of a remote and ruined cottage. Scorning the comparative luxury of her final home, she slept on the floor in front of an open fire, leaving the rest of the house to her chickens.
Hope Bourne's cottage is the lower gable

She survived on the proceeds from her column for a local newspaper and from books such as “Living on Exmoor”, as well as from her self-sufficient life-style which included shooting her own meat. She loved the moor and its flora and fauna. She also loved the hunt, and not just for the welcome grub at lawn meets which she enjoyed enthusiastically as a supplement to her normally frugal diet.
Walter Raymond, the dialect writer active at the turn of the twentieth century, also lived simply enough himself in the cottage which he rented in Withypool. He describes the experience in his charming “The Book of Simple Delights”, a kind of Somerset version of Thoreau’s “Walden Pond”. Even so the cottage would have been positively luxurious compared with Hope Bourne’s caravan. James Russell’s excellent article about Raymond in Withypool at http://jamesrussellontheweb.blogspot.co.uk includes a photograph of the cottage, which I tried to copy with my usual cavalier attitude to other people’s copyright but was foiled by some cunning device.
Walter Raymond gives few clues in his book, a collection of articles originally written for “The Spectator”, as to where his incidents took place, with the exception of his cottage and the pub. Hope Bourne could be more informative, but she too is less than generous with place-names. We decided to celebrate these two worthies by walking the route which Hope Bourne used to take between her caravan at Ferny Ball and Withypool Post Office Stores, returning by way of Brightworthy Barrows and Withypool Hill to a cream tea at the Withypool Tearoom, a treat which I am convinced both writers would have enjoyed enormously.
Hope Bourne at the Withypool Tearoom
 
We set off from the bridge, where all walks in Withypool should start, and took the riverside path towards Landacre.
At Brightworthy Farm we began to climb away from the river. Some of Hope Bourne’s most evocative writing describes farms such as Brightworthy in their promise of shelter from the extremes of the Exmoor climate. “Down from the moor, under the rim, lies the old farm, its fields sodden and dun-coloured, desolate in a winter world, its hedges stark and black above the long white seams of snow that lie as yet unmelted by the driving rain. The wet slate roofs and old stone walls of the farmstead huddle together in a knot of wind-battered beeches, house and barn and shippon close and tight in a hostile element. Its yards and gateways are all squelch and slush and splashing mud. Around the buildings the raw sou’wester seems to blow the rain in all directions at once, so that there is no shelter anywhere, dashing the wet into one’s face from the eaves and gutters and tree branches, flinging it round all the corners and into every doorway, until one is soaked at every point.” Like so many of the old homesteads, Brightworthy is now a holiday home, occupied only during the summer months.
After climbing through a succession of pastures, we passed out on to the moor again and soon saw Landacre Bridge beneath us. It is a river crossing of great antiquity, and was the site of the Wainsmote, an Anglo-Saxon parliament.
Keeping the river on our right, we crossed the road and walked over the brow. Soon below we could see Sherdon Hutch, the barrier which prevents detritus threatening the bridge in times of flood, and where Sherdon Water meets the Barle.
In winter, with the river in full flood, we once watched a herd of Exmoor ponies attempting to cross to the northern bank. Each one in turn was carried away helplessly by the torrent before scrambling on to dry land some hundred yards below where they had entered the water. Hope Bourne frequently describes this ancient breed which somehow recalls the primitive horses of the deep past. “The ponies move in a long file over the brow of the hill and down the shallow combe seeking the shelter of the lower ground. Save for their movement one’s eye would hardly see them go, so much are they part of the moor, and so well does their colouring harmonize and blend with the winter colours of the moor. Dark-bay and brown bodies, mealy underparts and blue-black points seem but a reflection of the mahogany red of the sodden bracken, the dark brown of the winter heather, the bleached dun colour of rush and bent and inky blackness of the newly swaled patches.” Today one stands alone, looking out over the bridge and the river.
At a gate, hung with a wrecked “No Entry” sign, we were obliged to stop. As we know from hunting days, the track continues over the river and up to Ferny Ball Cottage, which has been rebuilt since the days when Hope Bourne and her caravan sheltered within its wrecked walls. Two sketches from her notebooks depict the way she would have walked carrying her meagre shopping. To see more, visit the Exmoor Society exhibition on Hope at the Guildhall Centre in Dulverton until November.
Ferny Ball Cottage today
 
We climbed the punchbowl to our left and, after a strenuous climb, emerged at the cattle grid above Landacre. Here we crossed the road, and walked across the moor towards the Withypool-Sandyway road with Dillycombe to our left. In winter this land lies very wet, and the whole Brightworthy Barrows area is very trappy with numerous bogs. We reached the road and turned left back towards Withypool until we reached the point where an obvious path leads to the left towards the Barrow itself. Dog walkers, and seekers for a signal for their mobile ‘phones, like to stop in the informal lay-by on the opposite side of the road. The views from the Barrow are magnificent and, although conditions on this sunny autumn day were not ideal with the wind in the south, it was more than worth the effort.
 
Dunkery Beacon from Brightworthy Barrow
 
Hope Bourne was no respecter of permissible paths, and in sympathy we took an unmarked path eastwards off the hill which delivered us safely into the private farm road between Knighton Farm and the public road. From her we regained the road and then struck off across Withypool Common to find the stone circle. Here on the common, even in the new Dark Age of political correctness, it is not unusual to see the hounds which Hope Bourne often described with such enthusiasm. “Across the small fields the cry of the hounds comes louder and fiercer, deepening now to a bay as they run down under the criss-cross of hedges and little paddocks behind the buildings in the hollow. Like avenging angels they course him, the thief of hens and killer of lambs and across the plats, and into the last little field. I run and reach the gate just as they come pouring into the midst in a snarling wave. Whoop! They have him! Like a wave of the sea they pour over themselves and surge in a snarling mass of white and tan and black, a swirl of animal bodies in savage splendour on the grass.”

Walkers sometimes find the Withypool Stone Circle difficult to find. When asked for directions, I routinely warn, “Don’t expect Stonehenge.” The secret is to find the path on the Hill which lies between the summit and the feature below known locally as “Four Fields” and which is marked on the map as “Tudball Splatts”.
Four Fields

Thanks to reading Hope Bourne, I now know that a “splatt” is a water-course. When stock was grazed on the moor throughout the winter, the large enclosure must have been a welcome refuge for man and beast.
The Stone Circle
History does not record, nor even speculate on, the rites practised here. Next midsummer morning, if the weather is propitious, we intend to climb at dawn to the Stone Circle in the hope of seeing the sun fall directly on it, or at least experience some other suitably mystic revelation. The chances, considering the Exmoor weather, seem suitably remote.
We carried on up the path to the summit of Withypool Hill with its cairn of stones marking the remains of a barrow. The Iron Age worthies were determined to be buried as close to heaven as possible. Despite the increasing haze, there was a good view of Winsford Hill.
As we descended the hill, the cottage, appropriately closest to the moor, where Hope Bourne spent her final days came into view. Withypool could do with a stock of blue plaques to celebrate the scribblers who had lived there.
Our plan had been to reach the Withypool-Hawkridge road just above the cottage, and make our way along the bridleway to South Hill and cross the Barle at the stepping stones below the farm. Sadly, when we reached the river, despite the dry summer, some of the stones were well-covered by the water. This prevented us from entering the village at the far end and passing the Royal Oak and Raymond’s Cottage. We were forced to beat a humiliating retreat and walked down to the bridge past Hope’s cottage and thus to the tearoom.
The Withypool tearoom has its own eccentric charm, constructed from the remains of the village filling station, its pumps still standing. A cream tea here is £4.50 with one large scone, fruit or plain according to taste. I managed to construct a mountain of cream and jam on each half which should have effected immediate cardiac arrest.
It is but a step from the tearoom to the “Royal Oak” where R.D. Blackmore laboured away at his tale of the feud between the Doones and the Ridds. You will find “Raymond’s Cottage” in the lane at the side of the pub, much changed from the days when Walter lived there. Our own cottage was once called “Loo’s Cottage” but whoever Loo was, he or she didn’t scribble for a living.
 
Raymonds Cottage

The Royal Oak

Thursday, May 23, 2013

The Valley of “Lorna Doone” & Oare Church – a seven mile walk from Cloud Farm, Malmsmead


In the United States there are “Lorna Doone Shortbread” biscuits. They have been a popular brand for Nabisco since 1912, so long ago that now no one at the huge cookie conglomerate can remember why they were named after the heroine of a mid-nineteenth century English romantic novel.

How I first met Lorna Doone
Perhaps the combination of a Scottish-sounding name with the title of a still popular novel originally attracted the Nabisco marketing department. “Lorna Doone”, first published in 1869, is one of those books, of which everyone has heard, but very few have read, and yet it survives in the public consciousness in much the same way as “Oliver Twist” or “Wuthering Heights”. The combination of a dramatic narrative within a wild and beautiful landscape has ensured its durability, through film, comics, and constant popular reference, despite the fact that people find the original text a difficult and forbidding read.

“If anybody cares to read a simple tale told simply, I, John Ridd, of the parish of Oare, in the county of Somerset, yeoman and churchwarden, have seen and had a share in some doings of this neighbourhood, which I will try to set down in order, God sparing my life and memory.”

For students of the use of language, this is a marvellous opening with its sonorous, self-important rhythms, within the framework of a pseudo-oath, revealing so much immediately about the narrator, but it is far from being “a simple tale told simply.” The lengthy periods and the use of deliberately archaic language might make it hard work initially for some readers, but it repays richly those who persevere.

Lionel Edwards's Waterslide
There can be few works in the English language whose landscape is so immediately recognisable today. The valley of the East Lynn River is little different now to what it was in the day of the author, R.D. Blackmore, or in the days of John Ridd, for that matter, in the late seventeenth century. Blackmore himself, however, sounded an important note of warning. “If I had dreamed that it would have been more than a book of the moment, the description of scenery which I know as well as I know my garden would have been kept nearer to their fact.  I romanced therein, not to mislead others, but solely for the uses of my story."

The famous waterslide, and even the valley of the Doone encampment itself, can not be identified reliably with any particular place, but the Ridd farmhouse, now a gift shop called “Lorna Doone Farm”, Oare Church where Lorna is shot by Carver Doone, and Badgworthy Water are all real enough.

Lorna Doone Farm
Most of all, the wonderful scenery of Exmoor which informs the atmosphere of the book is accessible to anyone with a sound pair of legs. Our walk started at Cloud Farm, from which you can gain direct access to the valley down which the East Lyn River flows. It is possible to park at Lorna Doone Farm and to walk up the bridleway to Cloud Farm, but the path is away from the river and somewhat tedious. Better to pause and take a selective view of the Ridd homestead, filtering out the gift shop and the metro-inspired deli-caff next door, and then drive up to Cloud Farm.

We also planned to have tea at Cloud after our walk. If you don’t stop for tea, you will be expected to pay a modest parking fee of £1.
East Lyn River

We walked down to the river and crossed the footbridge to the other bank, where we turned left up the river valley. There are lovely views here of the river Lynn. We passed through woods of old oaks and past thickets of rhododendrons. It’s worth timing one’s visit to see these in all their glory in early June, although the best time depends on the harshness of the previous winter and spring.

Where we emerged from the trees, the river becomes officially the Badgworthy Water of the book, which is pronounced “Bajjery” on Exmoor. A little further on the path curves round to the right and to the west, taking one towards Tippacott Ridge. Not far up the path there are some visible remains of some shepherds’ cottages which coincidentally mark the site of a Medieval village. This, at the foot of Lankcombe Combe, is generally agreed as the spot where Blackmore imagined his outlaw encampment.

To follow the river onwards, you need to return to the bottom of the combe and, after passing through a gate and over a little bridge, follow the path around the foot of Badgworthy Hill with the river on your left until you reach a foot bridge. This is a wonderfully lonely place.

Footbridge leading to Great Tom's Hill
Here we crossed the river and then scrambled up the rough path which, as it grew smoother, took us up over Great Tom’s Hill. From here you can appreciate the overwhelming loneliness and wildness which haunts the pages of the book.
The middle of the moor

Soon we saw the great beech wood enclosure that once belonged to Larkbarrow Farm, destroyed when this was an artillery range during the Second World War.

Larkbarrow Enclosure
We turned left up the bridleway confidently signposted to “Oare”. Unfortunately this did not prove the plain sailing which the well-trodden way promised. At some point we should have swung away to the right, but there is a law of walking which dictates that the desperate necessity for a signpost is in inverse ration to the likelihood of there being one. We were taken unwittingly back towards the Doone Valley, which we realised when we found ourselves above the stand of trees known as the Deerpark Plantation. I made a promise never to leave my compass at home again.

We floundered due eastwards through a sea of millenia grass until we found a likely track and, after passing through a succession of close-bitten sheep pastures, we fell into the footpath between Oare Church and Cloud Farm. We probably had been walking only two boundaries away from where we should have been, and turned right downhill to reach the church.

Oare Church
Even without its associations with Lorna Doone, Oare Church is a charming place with its box pews and the sunlight streaming through the window above the altar, through which in most film productions Lorna is shot on her wedding day by the villainous Carver Doone. “Darling eyes, the clearest eyes, the loveliest, the most loving eyes – the sound of a shot rang through the church, and those eyes were dim with death.”

Out in the grassy churchyard, my wife regarded my search for a Ridd amongst the gravestones with sceptical disdain. I didn’t find “gurt Jan Ridd” himself but at least I found one of his descendants.

We retraced our steps up the steep footpath which would take us back to Cloud Farm, following the same path as John on his formidable horse Kickums as he rode in pursuit of Carver Doone. When we walk this way again, we will do it in reverse so that we may follow the way back across the moor which they took southwards until Carver came to a suitably grisly end at Cloven Rocks bog just outside Simonsbath.

Carver Doone's last ride
On a sunny afternoon there was nothing so threatening, and the lambs were basking in the sunshine.

If there is any better treat than a cream tea, then I would like to see it. On a weekday in May we were the only customers at the old tea house at Cloud Hill Farm, except the chaffinches who were determined to take a share.